Martin Gray’s The Man Who Best Drew Women is a long poem in the epic heroic narrative style, a continuation of the poet’s themes developed in previous work such as Blues for Bird and The Death of Villeneuve. Modigliani is the representative figure of modern art, the artist as tragic hero. The poem is a reflection on aspects of the heroic, both personal and public, secular and divine, a theme in poetry as ancient as Homer and Beowulf, and as modern as televison. The narrative poem is an accurate and vivid portrayal of one of the most interesting and extraordinary artists of the twentieth century. Modigliani’s art both responded to and broke with tradition, ushering in the modern era. The Man Who Best Drew Women is a lyric biography, exact and with universal truth presenting the life of the artist in accessible and clear poetical statement, making it an essential volume for the general reader and for the student of art alike.